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Jenny Lewis - Hollywood Law

Jenny Lewis - Hollywood Law
Jenny Lewis ’ vocals were tracked in Capitol Records Studio B, the room christened by Ol’ Blue Eyes in 1956 when he gesticulated at the sessions for (Frank Sinatra Conducts) Tone Poems Of Color, her piano chords fingered on the same keys that voiced Carole King’s Tapestry. The music indeed feels touched by King’s white-girl Laurel Canyon soul, but maybe more by Harry Nilsson’s tender, hooky wit. Lewis channels Brian Wilson’s sun-kissed doo-wop on the title track — with a sly pun on letter-sweaters and a winking reference, perhaps, to “Caroline No” (here “Caroline, uh”). Elliott Smith gets namechecked on “Heads Gonna Roll,” the Go-Go’s perky new wave shines from “Rabbit Hole,” Fleetwood Mac’s heady harmony-builds bloom on “Red Bull and Hennessy.”

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